Thursday, 25 April 2013

Iron Man Three (light spoilers)

 So i've just returned from the midnight showing of Iron Man Three, its 3:30am so forgive me if this review is a little choppy but I must blog about this right now.

I am going to start with my one true love, Visual Effects. There were so many great companies and artists working on this film, and they really brought their A game. Somehow they managed to bring a certain amount of gritty realism to FX that ordinarily would be over the top even by comic book standards. There's one scene where a large number of Iron Man suits are involved in battle, and start flying around, shooting and blowing up and yet somehow the viewer can totally accept it as real. This, in my opinion  is the art of good Visual Effects. It's not just about putting CG objects in live action footage, it's about putting it there and no one being able to tell. The level of detail that these guys have gone into, right down to the scratches on the paint work, is phenomenal. Hats off to these guys and gals, not just for proving that VFX is an art form, but for being an inspiration. It's not just about blowing stuff up (though that is cool and there is a lot of that) but making things look real, and it reminds me as a recent graduate and freelancer, that I should never stop learning the craft because perhaps one day I'll get to work on projects like this myself.

I'm not going to spoil too much of the story. I'm an avid hater of spoilers and so wouldn't wish to ruin the experience for anyone. Go and see it, it is beyond worth it. It's probably the cleverest plot line for a action film I have seen in a while, and had some particularly good twists and turns. All the clues are there for you if look out for them, but if you miss them, it all ties up in the end. It's got great Tony Stark dialogue, with humour in dollops, oozing with the same cocky swagger RDJ brings to the role. I was told in a very cryptic fashion before I saw this film, that something about the villain will split the fandom in half, and it most certainly will. I personally think it was a very ballsy move on the writers part, and one that brings an old school, cliched, comic book bad guy right up to date. Others will disagree. Watch out for Ty Simpkins, Starks unlikely side kick, who's a great little actor and bounced off RDJ with the talent of a real pro. They say never work with children or animals, well in this case they got the casting spot on.

What I really liked about this film, is the way they dealt with Tony Stark as a character. In the comic books, he got a bit dark towards the end, and yet they managed to work with that in a Disney fashion that shouldn't disturb the younger audience and yet still manages to deal with the a character post a highly traumatic experience (ie. The Avengers Assemble plot line). It also, quite cleverly, deals with the question that the Captain posed in the Avengers movie. Who is Tony Stark without the suit? The answer, well wait and see, but it is finely executed, with tonnes of symbolism as Stark learns more about himself and love and all the things that made Pinocchio a real boy. It's heart warming really,  and exciting, incredibly dramatic with laugh out load humour, high adrenaline action and just plain awesomeness. I couldn't have asked for more from a Marvel film. If you're not sold, just watch the trailer below!




A few things to finish off with.

  1. Go see it immediately. I, in fact, will almost certainly be there again tomorrow night. 
  2. Wait until after the credits, there's a nice little gift for you Avengers fans at the end.
  3. Anyone else REALLY annoyed at how it's Iron Man 3 in all the promotional stuff but the film is in fact Iron Man Three? I don't know, that just annoyed me. It's really the only thing.

Monday, 8 April 2013

Star Trek Into Darkness - 1 Month and Counting Down!



With little over a month to go until Star Trek Into Darkness hits our cinemas, my level of excitement is hitting warp factor nine. With new teasers and trailers, HD pictures and cast interviews in every magazine, I'm just absorbing everything I can get my hands on through osmosis. It's like a frenzy right now. And it's not just me, the entire fandom seems to be vibrating with the suspense, as we are still no closer to uncovering who John Harrison really is. It's been an incredible run up to the movie, and there is still 5 weeks left to go, I'm uncertain whether I will make it without my brain going supernova. 

But it's the fandom right now that makes me a little sad. I've always found the Star Trek fandom to be incredibly friendly, but lately there seems to be a certain amount of hostility towards the new fans. It's as if everyone is being made to earn their geek stripes before they are allowed into the hallowed halls. I grew up with Star Trek, it was a week night routine to sit in front of BBC2 with my older brother to watch the reruns over dinner. We had the VHS movie box set, bought the action figures and played with a home made cardboard Enterprise D Bridge replica. But why do I need to justify the level of my fandom experience before being allowed to express an opinion about the new movie?



It seems that there has been an influx of new Star Trek fans, because of this guy; the frankly brilliant Benedict Cumberbatch, who is an outstanding actor and quite rightly has a massive fan following online. It is these fans who are infiltrating the Star Trek fandom, and a few of the old school fans don't seem to like it. 

In a way I understand the resentment. Having grown up in an era (not that long ago in fact) where young people were openly bullied for being smart, (boffin!) for liking science fiction or fantasy, (geek!) or being fascinated with Buffy the Vampire Slayer and the occult (freak!) , it can be quite difficult to see those people who hurt you so badly lining up behind you at the cinema once your favourite franchise becomes main stream entertainment. But surely, liking an actor is just as legitimate a reason for wanting to see a movie, as being a life long fan?

As a VFX Artist and Creative, I work for the love and passion of what I do, but I fully understand that at the top of the tree, movie making is an industry designed to make money. If you as a fan wish to see your favourite franchise survive, then you should be encouraging new people to embrace that franchise. At the end of the day, the more bums on seats in opening week, the more dollars are made and the more likely your franchise will survive. 

I want there to be more Star Trek movies. I want there to be a rise in good science fiction and fantasy films. I want the things that I love to be around forever, and that can only happen by encouraging new people to try it out. So rather than shun the new fans, thank them profusely and welcome them into the fold. Opening night for Star Trek Into Darkness is going to be amazing, so lets not ruin it with inter-fandom wars, let's enjoy the journey together. 


Saturday, 6 April 2013

Doctor Who: The Rings of Akhaten

I used to write Doctor Who episode reviews a life time ago when I ran a Doctor Who fan forum. Times have changed and I have become increasingly busy, but I still I have huge love for Doctor Who and thought I might get back into the habit of writing reviews. This blog has gone a bit unloved of late. I wish I could discuss my up and coming projects, but the one I am most excited about is top secret. There's also stuff involving rampaging elephants, and a short Film Festival entry which I shall probably blog about soon once I have the OK to show clips and pictures and what not. In the mean time. Doctor Who.

Matt Smith as a Doctor has grown on me considerably. I never really gelled with him in my post Tennant depression, though in hindsight that is mostly because I found the character of Amy Pond incredibly annoying (That isn't a dig at Karen Gillan by the way, who is a fantastic actress, but the character of Amy Pond) . Now she is out of the picture, and we have the fantastic Clara Oswald, who I love and a darker more brooding Doctor, I can fully appreciate the acting capability of Matt Smith. He's incredible.

So onto The Rings of Akhaten.

I had so much hope for this episode. The look of the episode seemed to be like the love child of Star Wars and John Carter of Mars, and really the first 20 minutes or so was stunning. Just take a moment to appreciate these VFX.



Really, I must shake the Concept Artist by the hand because, this is like nothing I've seen before. In fact the entire premise is original and completely alien, which is something New Who seems to have shied away from in the past. I just love the idea of using sentiment as a currency, and praying to keep the Gods asleep using what is effectively lullabies and bed time stories is just inspired. There were a few minor niggles (like why can't Clara understand some of the aliens the Tardis should translate for her?) which I let go of because, well it is a show aimed at children and the barking alien was quite funny, but then it started to go down hill.

The Doctors Sonic Screwdriver needs to go. I actually thought for a moment he would sell it and I rubbed my hands together with glee at the thought of him saving the day with nothing but his good looks and wits, but no. It has stopped being the device that opens doors (though it did open a rather large door) but in fact the all singing all dancing magical save the day device that gets the Doctor out of any sticky situation. It's a magic wand, he waves it and the bad things go away. It's an unsatisfying conclusion. It's a far cry from Christopher Eccleston trying to resonate concrete and then the humiliation of being saved by Captain Jack. Perhaps the Doctor has obtained a little too much alien tech.

It was all a bit down hill from there in my opinion. It's a real shame because it started out so well. Perhaps next week will be better.


Trance

I wish I could tell you about my current projects, but I can not right now, so I won't. Instead let us talk about Trance for a moment. This post will be full of spoilers so glance away now if you do not wish to be spoiled.

I love Danny Boyle. He's got to be one if my all time favourite directors and pulls off psycho thriller like a pro. Anyone who has seen Shallow Grave or 127 hours will know this man can really mess with your head. This film was no exception. From start to finish I was in a sustained state of "wow!" The look, the feel, the way the story unfolded it was brilliant. So obviously I went to see it again. Sad to say I kind of wish I hadn't.


Unlike films like Fight Club, where, if you go back over the movie, all the pieces fall into place and everything suddenly makes sense. You start questioning if you are in fact an idiot for not noticing in the first place. Trance is not one of those movies. Trance has plot holes. These are largely minor, and necessary for the story to work properly, but when they come together as a whole, for me it ruined the experience. Now I'm asking myself, couldn't there have been a better ending?


My two main niggles are this:

1. How did the hypnotherapist know that Simon had killed that woman? She wasn't there. She only knew what he had told her. I questioned whether she had in fact been following him, after all, at the end it becomes apparent that she had been manipulating events from the start. If that was the case though, why did she cry upon meeting him again? Why did reading his story on the internet upset her so? It doesn't quite scan.

2. If Simon was such a big creepy stalker, why did she continue therapy with him? She's too afraid to answer the phone or email but was quite happy to lock herself in a room with him for several hours? Ok so she had a motive for allowing the sessions to continue, ok fine, but do you think someone so desperate to see her that he tried to strangle her would casually show up for his session and calmly sit and be hypnotised when just hours ago he was trying to break down her door? It doesn't make sense. It may not even be relevant, but for a very character driven plot, for me it was a suspension of belief too far. However without this backstory, the film doesn't work. It's a necessary plot device, for the story to end in the way it did, these characters needed to be set up in they way they were. Unless of course, there was a different ending.


I'm not a writer, and I am not going to claim anything that I come up with could be better than what was already in the film. But I'm going to take you through my thought process upon first watching the film.


There was a moment, after the car crash and fire, when Franck broke the surface of the water and was suddenly in his swimming pool at home, I thought I had a moment of clarity where I understood what was happening. Of course I was wrong, but I'm starting to think I would have preferred to be right.


When Simon first goes to see Elizabeth to find his keys, she tells him to create a character. She says "create another man who can do the work for you."  In that brief moment in the pool, I thought, perhaps Simon was a figment of Franck's imagination. He created Simon to find the painting HE HIMSELF had lost. Perhaps the entire film had been the work of the hypnotist. Of course the "he woke up and it was all a dream" is a horribly unsatisfying ending, but I can't help but think if handled correctly, and we all know how well Danny Boyle can handle twists,  maybe it would have worked out better. Perhaps it would have been brilliant had it been left a little more open ended. The hypnotist creates the entire situation and the character of Simon. Simon leads Franck through the fire to find the painting, she then, armed with that knowledge steals the painting, and Franck wakes up in his pool very confused and dazed and THE END.



The audience is confused. They discuss it for days. It's likened to Fight Club and Inception. Is that necessarily a bad thing? I don't know. All I can say is GO SEE THIS MOVIE. Don't think to hard, submerge yourself in it, but don't over analyse because it may just ruin what is an incredibly slick and exciting couple of hours. 



Thursday, 13 December 2012

An Analytical Review of The Hobbit: An Unexpected Journey


Ok, so it's been a while, and I know I promised an update on my  current project (there have been a few) and an in-depth review of Life of Pi (I saw the preview earlier in the week and I am ruminating on what to write) but right now I have to talk about the Hobbit. Yes, at 11:40am I found myself in Cardiff Cineworld with a bag on popcorn in one hand and a bottle of Vimto in another, ready to go on an Unexpected Journey. There is so much to tell, it is hard to know where to begin, so let us begin at the beginning.

Beware, there will be spoilers.

So, the lights have dimmed, you've sat through an extraordinary amount of advertisements, cried a little at the lack of Star Trek into Darkness trailer and then, darkness. There is an audible click as the projector switches from 24 fps to 48 and then the opening notes of the Hobbit theme tune begins and for a moment you feel as though you are coming home. It's been a very long time waiting for this movie, and I will not deny that I may have shed a tear in pure happiness at the perfection of the music and the rolling landscapes and just the shear feeling of triumph that we have waited and we have been rewarded our patience.

So, I hear you cry, what about the 48fps (or as the slightly cooler amongst you may be calling it HFR)? I am here to speak (or type) the truth, the whole truth and nothing but the truth, and therefore it would be wrong of me to praise too highly or criticise too severely.

On the whole, the 48fps works well, It gives a level of realism and clarity that you just don't get from 24fps. However it doesn't always work, the the opening sequence is perhaps one of the best examples of it not working. For a brief moment I must admit I was slightly worried. The camera moves seem to have been emphasised somehow, and so the fast moving aerial shots made me feel motion sick,. Worst are the hand held shots during actions sequences, they gave me a headache and sometimes made it look a bit cheap. For the more subtle camera moves though, which thankfully is most of the film, it is perfection and you can really feel the difference. The 3D is spot on perfect. I have never watched a 3D movie before that hasn't had parts where the 3D turns to double vision or the depth hasn't felt quite right. In the Hobbit it could not have been done better. It is true when they say that Peter Jackson is a master of his craft, he really knew what he was doing on this one and it shows. The experience is truly immersive. It is cliched, but you feel part of the action. You are part of the team, you are on location, and that burning pine cone may actually hit you in the face so DUCK!

So we've seen some great shots of New Zealand/Middle Earth and we're back in the Shire. The Shire theme plays and you are overwhelmed by an feeling of nostalgia. It's beautiful and jolly, and everything the Shire should be. Jackson starts the tale through the eyes of Old Bilbo Baggins, played by Ian Holm, set just before his 111 birthday party which featured at the beginning of Lord of the Rings: Fellowship of the Ring. This is quite important I think, because later in the film it becomes clear that Jackson is trying to tie the two tales together. I'll discuss that a bit more later. The film is told as a flash back, and there are flash backs within that flash back, which may sound confusing, but I must admit that I was impressed that at no point did I get lost in the time lines. This is often a downfall of using flashbacks as a plot device, so kudos to the team for pulling this off so brilliantly.

I'm not going to do a hit by hit, scene by scene breakdown of the film. I'm not a live blogger and already it has become hazy in my mind (a second viewing required I think), but in general terms, I enjoyed this film thoroughly. Yes, it was long, and my bladder definitely felt the strain by the end, but it was fast paced and at no point did I feel bored or fidgety. If anyone has read the book, you will know that the first half of the tale takes the shape of a series of mini adventures that occur on a journey to the Lonely Mountain. This means there are bursts of action throughout with moments of rest in between. Bilbo and co bounce from danger to danger, barely pausing for breath and so at no point do you look at your watch, in fact I barely paused to take a hand of popcorn, I am in fact eating it now.

So a few of my favourite scenes.

The dinner scene. Hilarious. It couldn't have been more perfect. Martin Freeman is hilarious, as are his house guests. Jackson managed to get in the ones from the book which made this fangirl light up with glee. Particularly when they washed the dishes. I shall say no more.

The scene with the trolls is my favourite in the book, and though it is different in the film, it doesn't disappoint. It's very funny, with some really cool VFX and a really nice moment for Bilbo to show his worth as a thinker and tactician.

And of course, Bilbo and Gollum playing riddles. I will talk about this again later, but the acting is superb, as is the set. Hard to believe it was a sound stage.

Let's talk about Martin Freeman as Bilbo Baggins for a moment. To say he is incredible would be an understatement. His comedy timing is perfection, and many of the laughs in this film come from him and his characters obvious discomfort and hesitation. But that's not to say he is the comic relief of the film. In the book his character depicts the innocence of a child, and provides the eyes from which we view the world; big, scary but also wondrous. Freeman pulls this off to perfection. He's scared and missing the comforts of home and genuinely thinks he may die. He is also very aware that his peers feel he is a burden upon them. You can't help but feel what he feels, and this is thanks to Freeman's expressive eyes and often subtle acting.

To be fair to the entire cast, there is not a weak link amongst them, and so it is a shame that a few of the Dwarves seem to be overlooked a little. You don't get much in the way of character development, but that is to be expected in a film with 15 main characters. I did feel that perhaps Thorin's back story was too fleshed out. At the beginning we hear about the history of his Kingdoms downfall, and so it seems unnecessary to do a second flash back to introduce the Pale Orc. In fact, I don't recall the Pale Orc at all from the book (perhaps it is from the Lord of the Rings Appendices I don't remember) and it seemed a pointless addition to a story that was already action heavy. I can understand that perhaps it was plot device designed to create an element of danger and push the story forward, but in my humble opinion the story has enough steam to propel itself. If removed it may have given a chance to get to know the other Dwarves on a more human level (if you mind the expression.)

So, on to Rivendell, and this is where our story deviates from the Hobbit book most significantly. We've already met Radagast the Brown (played by Sylvester McCoy), and the idea that there is a dark cloud descending over Middle Earth and a very bad man rising elsewhere (I shan't spoil it too much.) has been planted in our minds. Here Gandalf meets with the Elves and Soromon the White to discuss this impending doom. This is my greatest niggle with the film really. The Lord of the Rings was all about epic life and death scenarios, the weight of the world, and everything would be lost if they failed, this is not what the Hobbit is supposed to be about. The Hobbit is a much more fun and whimsical. It's about a bunch of outcasts finding their home, it's about a terrified young Hobbit finding a courage deep inside, and of course fighting dragons and bouncing down rivers in barrels. It's a fun children's book. They're going on an adventure, they are not supposed to be saving the world. The film doesn't need to be epic, nor did it require dark foreshadowing and doom and gloom. To me this ruined the magic of it a little bit. Of course it is not on the same level as Lord of the Rings on this front, it is saved by great humour and brilliant one liners that keep the chuckles coming, but for me I felt this scene should have been saved for another time. Remember this was Bilbo's first time in the company of Elves, there should have been the same wondrous excitement that accompanied Frodo's first time in Rivendell. This is where the film lost the feel or the essence of the book and started to feel a bit too much like Lord of the Rings.

However, as mentioned before, I get the feeling that Jackson is trying to tie the two tales together, and though yes they do go together, it just didn't work for me in this film. It felt out of sorts. This is a minor issue and in fairness other than these points I've made, the film did stay pretty true to the book, to point where at times the dialogue is directly lifted.

I'm a Visual Effects Artist, and so I have to talk about Gollum played by Andy Serkis. First of all, wow. The interaction between Gollum and Bilbo is perfect, and exactly how I wanted it to be, I couldn't be happier with it. Also the interaction between Gollum and Smeagol is perfect. It could have been so easy to get confused as to which alter ego you were watching, but Serkis' acting creates two very different characters, in both voice tones and body language. The game of riddles manages to be funny and yet maintain that undercurrent of fear, after all Gollum might just eat him whole. Motion capture has come a long way in the last few years. Gollum looked like a real thing, perfectly composited into the scene. The skin texture seemed to stretch and role over bones and sinew. The face was so expressive, it was hard to believe that it wasn't a real creature playing the part rather than a man covered in CG makeup. Even the eyes looked realistic, which is often one of the pitfalls of CG models. You could pick out individual hairs on his head and pores in his skin, he really was a beautiful creation. Hats off to the guys at WETA, you guys did a fine job.

As for Smaug, well we don't see a lot of Smaug, just the hint of a tail, the heel of a foot, oh yes and that ruddy scary eye. Just enough to peak your interest, not enough to feed your curiosity. Sorry guys, but I guess that is for the next film. Quite right too.

I could really sit and discuss this film all night. I probably will hit up Tumblr later, but for now I will just say, you are a fool not to go see it. Book your tickets now, there is really no reason to wait. See it in 3D. If you can catch it in 48fps I suggest you do. The technology may not be as awesome as we hoped for, on the whole it will certainly improve your cinema experience. It is probably the best film I have seen all year, and I will be seeing it again. Enjoy.



Thursday, 11 October 2012

A Busy Few Months

I must apologise for neglecting this blog over the last few months, it has been a very busy time. First off, I graduated from the University of Glamorgan with a First Class degree in Visual Effects and Motion Graphics. As you can imagine I am very happy about this and hope it will act as a key to gain access to the Visual Effects industry.

Next, I moved house. I'm still based in Cardiff, but it took me a little while to sort out my computer system and internet connection etc.

Since then I have worked on a few independent short film productions. The most noteworthy of them, were Olympic VIP and Down in the Third.

I believe I mentioned Olympic VIP whilst I was working on the pre-production for this project with Chelange Joseph. Well, just to let you know, this short boxing themed musical was entered into Panasonic's competition to celebrate the Olympic games, and we came first! We were very surprised about this, as we had much less time to work on this as our team was the reserve team and had to step in at the last minute. I'm told the finished edit is on youtube somewhere, but I don't actually have a link just yet. I will post it once I find it.

The other project, is a short film written and directed by Michael Brooks called Down in the Third. The film is a boxing/crime thriller and aims to be as visually impressive as classics such as Raging Bull and the Rocky franchise. You can view the trailer on Vimeo here:



The film premieres next week on the 18th October and is being endorsed by Two Times Heavy Weight World Champion Tim Witherspoon. The production team hope to enter this film into a number of film festivals over the next two years, so keep your eyes out for it.

I have been working on this project for the last few months, putting together invisible VFX shots. This largely included RotoPainting and inserting TV content, but also a few Crowd Replication shots and blood splatter shots. I've put together a short VFX Breakdown video of some of the cooler shots I've worked on since starting this project. I hope you like it.


Check out the Official Down in the Third Facebook page: https://www.facebook.com/DownInTheThird

Monday, 25 June 2012

Olympic Advert Shoot

I'm the film shoot for the a Panasonic Olympic Games advert working my VFX Supervisor mojo. Here's a bit of a teaser.


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